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Showing content with the highest reputation since 10/12/2019 in Blog Entries

  1. 2 points
    He learns to play chess and music instrument just to draw better 沈冰山:27载习棋练琴,只为更好地作画 It was Sunday, trapped in house by the rainy morning, that I read the story about him. I was not knowing what to do then since the rain put an end to my plan going out for a walk and doing the recording along the way. I was thinking about doing the recording at home only to find that the goddamn cellphone was unavailable for clear record without blending some noise of electric current into my voice. What the hell is going on? What a big joke! 星期天的清晨,正被雨天困在家里,我读到了关于他的故事。当时我正无所事事,这雨一下,我外出散步顺带录音的计划泡了汤。好吧那就在家里录音得了,谁知道这该死的手机居然闹起来别扭,录音也不能好好录了,人声跟电流干扰声还混声了。这是在闹哪出?诸事不宜吗! We have planned to do a lot in the leisure future when we are busy, making a to do list and awaiting them to be finished when we have the time. But the things don't see any accomplishment when that time comes, since a lot of other things unexpected do come along with the time available. 在忙的时候,我们计划好要在将来闲暇的某个时段做很多事情,也列了相应的清单等待着那个空闲时间的到来。但当有时间了,我们却不见得能完成计划的事项,毕竟随之而来的可能是其他意想不到的状况。 Somebody may go around the obstacle and find another way to his goal set, while the others stand still wondering why, cursing damn, or moving to another direction when they see no possibility to go through the barrier. 困境当前,有人会绕过障碍,开拓出另一种路径去接近原定的目标,而其余的人只是站在那里,或问着为什么,或诅咒着什么,或因为看不到穿越屏障的可能而改变初衷。 The story I read about Mr Bingshan Shen is a well reflection of the somebody mentioned above. 读着沈冰山的故事,我看到了上述“某一种人”的真实写照。 What if what you do could always have something to do with what you are going to do next? It may be a perfect form of efficiency in life, because nothing you've ever done has been wasted. 如果你现在所做的每一件事都能与接下来所要做的产生联系,你的生活会是怎样?这将是人生的一种高效形式,因为你所做的一切都不曾白费。 Mr Shen enjoyed drawing when he was young, and that's his lifelong love of labor too. Sight means almost everything to a painter, but illness got him blind when he was right 26 years old. He had to quit drawing unless he could draw without seeing, which means he should draw with the guidance of memory, judging the position of next stroke based on the last one, and having his own rhythm in mind to move along. 沈先生热爱绘画,这是他年幼时的爱好,也是他一生所爱。视力对于一个画家而言何其重要,然而他26岁时因病失明。他不得不放弃作画,除非他可以在什么也看不见的情况下画,这意味着他要凭借记忆对他的指引去画,根据前一笔的落笔去规划下一笔的走向,并心存作画时可依据的节奏。 That's difficult for even normal people, let alone for someone disable. But one has no idea of what difference he is capable of making until fate gets him cornered. He put drawing aside, starting to learn to play chess and a kind of traditional Chinese music instrument named Yangqin. It took him 27 years. 这对于正常人而言,都显得困难,何况是他这个残障人士。但若命运没有将你逼到绝处,你还不知道自己还能剑走偏锋。他暂时把画画这事搁置在一旁,开始学习下象棋,学习弹扬琴这种中国传统乐器。这花了他27载光阴。 He led the way back to drawing when he had mastered both chess and Yangqin well, which brought him fame nationwide. He wouldn't rest on that glory, since he knew what he had learned these for. 当棋艺与琴艺都掌握了,并且在国内也名声渐长的时候,他让精力回归到作画上。他没有在荣耀之上长眠,因为他深知,学习琴棋是为了什么。 I was shocked when I saw how he connected drawing with the way he played chess and the Yangqin. Playing chess gave him a great improvement in memory, so he's good at visualizing the chessboard in mind, systemizing every move based on the lines crossing each other on it. He made it planning what to do next playing without watching the layout. 当领悟到他是如何把作画跟下棋和弹奏扬琴相联系时,我被震撼了。磨炼棋艺提升了他的记忆力,因此他善于让棋局在心头可视化,并有系统地根据其上纵横交错的线去设计接下来每一步棋的走位。于是他便可以不用看棋局也能自如地走子。 The layout's in his heart. And when this game saw its transformation on the paper and color, he could manage drawing well by memorizing what he had done and designing the coming steps based on what's formed in his mind, so blindness was no longer in the way. He took the paper his chessboard and every time he put a brush on it, it's like moving a piece of chess thereon. 布局就在他心里,当这个游戏延伸到纸面上,与颜色挂钩时,他便能凭借对之前步骤的记忆和心中所想,去画好接下来的每一笔,这样,双目失明不再是种障碍。他视纸箱为棋盘,每在上面添一笔,都像是挪动棋局之上的一枚棋。 His experience in Yangqin sharpened his sense in rhythm and alteration of details. Different pitches arranged in various rhythm make the melody. And he was specialized in making ever-changing melody possible without seeing. He saw drawing as the flow of music where colors and lines got changing to make what's in his mind vivid onto the paper. That's how playing the Yangqin helped him with his drawing. It's all about control of rhythm when you polish the details. 扬琴的弹奏经验锐化了他对节奏和细节变化的感知。不同的音高根据不一的节奏进行排列重组,形成了旋律。他擅长仅凭感觉去弹奏并展现这种多变的旋律。绘画对他而言只是一幅流动的音乐,色彩与线条跃然纸面,且变化多端,他心中的画卷也随之在纸上活灵活现。弹奏扬琴有助于他作画:一切关乎雕琢细节时对节奏的把控。 Barrier brings him patience, and he makes it a legend. 命中的阻滞给了他耐性,而他成全了这段传奇。
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